Authors retain the copyright without restrictions for their published content in this journal. HSSR is a SHERPA ROMEO Green Journal.
Publishing License
This is an open-access article distributed under the terms of
TRADITIONAL MUSIC AND POETRY OF THE TATARS-MISHARS: MODERN FORMS OF EXISTENCE
Corresponding Author(s) : Svetlana Vladimirovna Karkina
Humanities & Social Sciences Reviews,
Vol. 7 No. 6 (2019): November
Abstract
Purpose: The Tatars-Mishars are an ethnographic group of the middle Volga and Ural Tatars. Their speech is based on a special dialect and belongs to the Western group of the Tatar language. The Tatars-Mishars were settled on the Right Bank of the Volga in Mordovia, Chuvashia, Tatarstan, Bashkortostan, as well as in the Nizhny Novgorod, Penza, Ryazan, Samara, Saratov, and Ulyanovsk regions. The Mishar sub-ethnic group is divided into three ethnographic components – Sergach, Temnik, and lambir, each of which has its own linguistic and ethnocultural features. The object of our attention is the traditional musical and poetic creativity of the Tatar-Mishars of the Ulyanovsk region, which is a unique layer, characterized by the preservation and to date the existence of original folklore genres.
Methodology: In the article the analysis of the materials obtained by the authors during expeditions in the Ulyanovsk region, where the ignorance relating to the khvalynskoe, Karsunsky and melekessky language groups. As a result of research various and interesting, to some extent, the original material was recorded. When collecting information, the instruction on collecting musical folklore was used for detailed certification of the recorded sample, which allowed to identify the distribution area, local features, the picture of the modern functioning of the works of traditional musical and poetic creativity.
Results: In general, the study showed that the traditional musical culture of the Tatar-Mishars of the Ulyanovsk region, is a distinctive layer, characterized by a variety of genres and styles. This lyrical lingering and short tunes, takmaks and lyric-epic genres baits, munajat.
Application: Therefore, the study and preservation for future generations of musical and poetic folklore of the Tatar-Mishars, which has inexhaustible wealth, will allow feeling the original and universal foundations of spirituality of the Tatar people and its culture.
Keywords
Download Citation
Endnote/Zotero/Mendeley (RIS)BibTeX
- Nigmedzyanov, M. (2003). Tatar folk music. Kazan.
- Sajdasheva, Z., & Yarmi, Kh. (1979). Tatar-mishar songs. Moskow, 1979.
- Ziganshina, L. H. (2017). Song Culture of Lyambirskiy Tatar-mishars: to the problem of local specific traditions. Vestnik KAZGUKI, (2), 93–96.
- Sarvarova, L. (2006). Etnicheskij component pesennoj kulturi tatar-misharej: voproci zvukovisotnoj I fakturnoj organizatcii: avtoref. … diss.kand.iskusstvovedeniya. Kazan.
- Gabdrakhmanova, F. H., Zamaletdinov, R. R., & Zamaletdinova, G. F. (2017). Wedding in the History and Culture of the Tatars. Journal of History Culture and Art Research, 6(6), 111-116. https://doi.org/10.7596/taksad.v6i6.1328 DOI: https://doi.org/10.7596/taksad.v6i6.1328
- Khakimov, B., Salimov, F., & Ramazanova, D. (2015). Building dialectological corpora for Turkic languages: Mishar dialect of Tatar. Procedia-Social and Behavioral Sciences, 198, 218-225. https://doi.org/10.1016/j.sbspro.2015.07.439 DOI: https://doi.org/10.1016/j.sbspro.2015.07.439
- Nurieva, F. A (2017). linguistic monument of the Sergach Mishars' dialect: A confession text from the 19th century. Ural-Altaic Studies, 26(3), 161-173.
- Rashitov, F. A. (2018). On the history of the Kuznetsk Tatar-mishar group formation. Tatarica, (11), 128-141.
- Zagidullina, D., & Yusupova, N. (2017). Pair Sufi symbols in Tatar poetry of the 20th century: Complexity and transformation of symbols. XLinguae Journal, 10(3), 75-82. https://doi.org/10.18355/XL.2017.10.03.06 DOI: https://doi.org/10.18355/XL.2017.10.03.06
- Zamaletdinov, R., Gabdrakhmanova, F., & Zamaletdinova, G. (2018). The language picture of the world of the Tatars and the national image of the world. National Academy of Managerial Staff of Culture and Arts Herald, (3).
- Salikhova, L. I., Batyrshina, G. I., Safiullina, L. G., & Abdirakhman, G. B. (2017). Ethnocultural Development of Future Music Teachers in Process of the Tatar Piano Music’s Studying. Journal of History Culture and Art Research, 6(6), 159-167. https://doi.org/10.7596/taksad.v6i6.1336 DOI: https://doi.org/10.7596/taksad.v6i6.1336
- Kovrikova, E., & Nurgayanova, N. (2016, August). Spiritual musical and cultural traditions of the tatars in the music of Shamil Sharifullin. In 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2016, Conference Proceedings (pp. 63-70).
- Sharifullina, N. M. (2013). Pesennoye tvorchestvo tatr-misharey Volzhsko-Surskogo mezhdurechjya (Ulyanovskoy oblasti): avtoref.dis. … kand. Iskusstvovedeniya. – Moskow.
- Sarvarova, L. I. (2016). Lado-funktcionalnoye stroeniye liricheskih napevov tatr-misharej. Vestnik kulturi i iskusstv, 4(48), 103-110.
- Sayfullina, G. R. (2013). The artistic culture of tatar muslims: a view from the outside. Tatarica, (1), 218–221.
- Simamora, R. E., Saragih, S., & Hasratuddin (2019). Improving Students’ Mathematical Problem Solving Ability and Self-Efficacy through Guided Discovery Learning in Local Culture Context. International Electronic Journal of Mathematics Education, 14(1), 61-72. https://doi.org/10.12973/iejme/3966 DOI: https://doi.org/10.12973/iejme/3966
- Ahmadi, A. K., Zamani, M., & Sarzaym, M. (2014). A survey of the spiritual intelligence in organizations with an emphasis on Islamic texts. UCT Journal of Social Sciences and Humanities Research, 2(2), 29-36.
- Rorlich, A. A. (2017). Volga Tatars: A Profile in National Resilience. Hoover Press.
- Yusupova, N., & Yusupov, A. (2014). Tatar SUFI poetry of the XVI-XIX centuries: Peculiarities, world models and symbolics. Life Science Journal, 11(11).
- Rorlich, A. A. (1999). History, collective memory and identity: The Tatars of sovereign Tatarstan. Communist and Post-Communist Studies, 32(4), 379-396. https://doi.org/10.1016/S0967-067X(99)00020-3 DOI: https://doi.org/10.1016/S0967-067X(99)00020-3
References
Nigmedzyanov, M. (2003). Tatar folk music. Kazan.
Sajdasheva, Z., & Yarmi, Kh. (1979). Tatar-mishar songs. Moskow, 1979.
Ziganshina, L. H. (2017). Song Culture of Lyambirskiy Tatar-mishars: to the problem of local specific traditions. Vestnik KAZGUKI, (2), 93–96.
Sarvarova, L. (2006). Etnicheskij component pesennoj kulturi tatar-misharej: voproci zvukovisotnoj I fakturnoj organizatcii: avtoref. … diss.kand.iskusstvovedeniya. Kazan.
Gabdrakhmanova, F. H., Zamaletdinov, R. R., & Zamaletdinova, G. F. (2017). Wedding in the History and Culture of the Tatars. Journal of History Culture and Art Research, 6(6), 111-116. https://doi.org/10.7596/taksad.v6i6.1328 DOI: https://doi.org/10.7596/taksad.v6i6.1328
Khakimov, B., Salimov, F., & Ramazanova, D. (2015). Building dialectological corpora for Turkic languages: Mishar dialect of Tatar. Procedia-Social and Behavioral Sciences, 198, 218-225. https://doi.org/10.1016/j.sbspro.2015.07.439 DOI: https://doi.org/10.1016/j.sbspro.2015.07.439
Nurieva, F. A (2017). linguistic monument of the Sergach Mishars' dialect: A confession text from the 19th century. Ural-Altaic Studies, 26(3), 161-173.
Rashitov, F. A. (2018). On the history of the Kuznetsk Tatar-mishar group formation. Tatarica, (11), 128-141.
Zagidullina, D., & Yusupova, N. (2017). Pair Sufi symbols in Tatar poetry of the 20th century: Complexity and transformation of symbols. XLinguae Journal, 10(3), 75-82. https://doi.org/10.18355/XL.2017.10.03.06 DOI: https://doi.org/10.18355/XL.2017.10.03.06
Zamaletdinov, R., Gabdrakhmanova, F., & Zamaletdinova, G. (2018). The language picture of the world of the Tatars and the national image of the world. National Academy of Managerial Staff of Culture and Arts Herald, (3).
Salikhova, L. I., Batyrshina, G. I., Safiullina, L. G., & Abdirakhman, G. B. (2017). Ethnocultural Development of Future Music Teachers in Process of the Tatar Piano Music’s Studying. Journal of History Culture and Art Research, 6(6), 159-167. https://doi.org/10.7596/taksad.v6i6.1336 DOI: https://doi.org/10.7596/taksad.v6i6.1336
Kovrikova, E., & Nurgayanova, N. (2016, August). Spiritual musical and cultural traditions of the tatars in the music of Shamil Sharifullin. In 3rd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2016, Conference Proceedings (pp. 63-70).
Sharifullina, N. M. (2013). Pesennoye tvorchestvo tatr-misharey Volzhsko-Surskogo mezhdurechjya (Ulyanovskoy oblasti): avtoref.dis. … kand. Iskusstvovedeniya. – Moskow.
Sarvarova, L. I. (2016). Lado-funktcionalnoye stroeniye liricheskih napevov tatr-misharej. Vestnik kulturi i iskusstv, 4(48), 103-110.
Sayfullina, G. R. (2013). The artistic culture of tatar muslims: a view from the outside. Tatarica, (1), 218–221.
Simamora, R. E., Saragih, S., & Hasratuddin (2019). Improving Students’ Mathematical Problem Solving Ability and Self-Efficacy through Guided Discovery Learning in Local Culture Context. International Electronic Journal of Mathematics Education, 14(1), 61-72. https://doi.org/10.12973/iejme/3966 DOI: https://doi.org/10.12973/iejme/3966
Ahmadi, A. K., Zamani, M., & Sarzaym, M. (2014). A survey of the spiritual intelligence in organizations with an emphasis on Islamic texts. UCT Journal of Social Sciences and Humanities Research, 2(2), 29-36.
Rorlich, A. A. (2017). Volga Tatars: A Profile in National Resilience. Hoover Press.
Yusupova, N., & Yusupov, A. (2014). Tatar SUFI poetry of the XVI-XIX centuries: Peculiarities, world models and symbolics. Life Science Journal, 11(11).
Rorlich, A. A. (1999). History, collective memory and identity: The Tatars of sovereign Tatarstan. Communist and Post-Communist Studies, 32(4), 379-396. https://doi.org/10.1016/S0967-067X(99)00020-3 DOI: https://doi.org/10.1016/S0967-067X(99)00020-3